Tabitha Soren’s ‘Surface Tension’ Reflects Our Own Mark Making


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Tabitha Soren’s ‘Surface Tension’ Reflects Our Own Mark Making

October 28, 2019


 

Cleveland Scene: By Dott von Schneider

 

“My favorite painting in the whole world is at the Cleveland Museum of Art, it’s a Turner and the inspiration for this,” confesses artist Tabitha Soren as she points to the photograph behind us. Over the image floats a tsunami swish of oranges and yellows that harken back to the JMW Turner painting to which she refers — “The Burning of the House of Lords and Commons, 16 October 1934.” Turner speaks of man’s helplessness when face to face with the awesome destructive power of nature.

 

Soren’s image along with three additional landscapes along the same wall confront environmental destruction caused by the fingerprint of humankind. What the viewer sees, after a seriously deep artistic process, is a wave of bacteria and sweat that exude a prismatic rainbow effect. Greenland, in case you weren’t totally aware, is the second largest island after Australia. Soren says, “There are so many people that have visited that it’s shrinking in size because of erosion and the impact on it.”

 

The four images are writ large in 80” x 60” format. The artist explains, “I’m using an 8×10 camera that has an 8×10 negative in it, so it’s basically the size of an iPad, and then the surface area I’m shooting is an iPad, not a phone and that’s the exponential difference, right? So it’s about four times the size, so when you look at something like that, very close up, the sweat and the bacteria become a prism, here it looks like smudge, but with the light on it, it turns it into all these rainbow bits, which is also the reason why the scale is so important. If I made them 8×10’s, even online you wouldn’t be able to see the detail.”

 

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